freestanding aluminum and plexiglass sculpture with sound and LED display;
110 X 225 X 50 (deep) cm. and 120 X 205 X 50 (deep) cm.
sound by John Kamevaar
freestanding aluminum and plexiglass sculpture with sound and LED display;
110 X 225 X 50 (deep) cm. and 120 X 205 X 50 (deep) cm.
sound by John Kamevaar
The viewer does not interact directly with Flo'nGlo; the primary exchange is between the two sculptural characters. This turns the tables on the idea that technology relentlessly and increasingly mediates human exchange: humans also mediate its exchanges.
Flo and Glo are dependent on each other to keep their communication going: when Flo loses its rhythm Glo sends it a target derived through its "swarm optimization" algorithm, and relaunches it. The virtual population of this algorithm is actually working cooperatively toward a solution, in the background, but the visible cooperation is between Flo and Glo.
This is v1, v2 forthcoming.
1983 - 1995
Us and/or Them, 1983 (videotex database)
Shopping for Value (Systems), 1984 (videotex database)
believable, if not always true, 1987 (videotex installation)
In Vitro (the perfect wound), 1991
horror autotoxicus, 1992 (viewer activated installation)
Oedipal Ounce of Prevention, 1993
The solitary begets herself, keeping all eight cells, 1993
1995 - present
Apparatus for Self-Organization & Orphaned Life-Form, 1995
UCBM (you could be me), 1999 (viewer activated installation)
Swell, 2003 (viewer activated sculpture)
Flo'nGlo, 2005
Push/Pull, 2009 (viewer activated sculpture)
TV Breeder, 2011 (v1) by NSF (nous sommes fragiles)