SELECTED PUBLICATIONS
_______________________
"Real Users in Art and Science" in catalogue for the exhibition Quàntica (Barcelona: Centre de Cultura Contemporània and Geneva: Arts at CERN), 2019.
"Trust Regions for Art/Sci" in A. Bureaud, R.F. Malina, L. Whiteley (eds.), Meta-Life: Biotechnologies, Synthetic Biology, ALife and the Arts (Leonardo/Olats/ISAST and the MIT Press, e-book), 2014.
"We Want our Art to (Mis)Behave" in VIDA1999-2012: Art and Artificial Life (Madrid: Fundación Telefónica) pp. 78-87. 2012.
With Melanie Baljko, "Sensory, sonic and symbolic features of a collaborative media art practice" in Canadian Journal of Communication, Vol. 37, No. 1, 2012, pp. 109-119.
“Reconsidering Media Art Dynamics”, ISEA2011 (International Symposium on Electronic Art) Istanbul, Turkey, paper. September 2011. Proceedings on-line.
With Melanie Baljko, "The Aesthetics of Emergence: Co-constructed Interactions" in ACM Transactions on Human-Computer Interaction (TOCHI - Special Double Issue on the Aesthetics of Interaction), Vol. 15, Issue 3, November 2008, pp. 11:1-27.
"Art Embodies A-Life: The VIDA Competition" in Leonardo, Vol. 41, No. 1, 2008, pp. 6-15.
With John Kamevaar and Melanie Baljko, “Sound for A-Life Agents” poster in ACII07: Affective Computing and Intelligent
Interaction, Sept. 12 – 14, 2007 Lisbon, Portugal. Paper published in Proceedings of ACII07, pp. 763-765.
“Agent artificiel” in Louise Poissant and Ernestine Daubner, eds., Art et Biotechnologies (Sainte-Foy: Presses de l’Université du Québec), 2005, pp. 295-307. Original english text Artificial Agency.pdf
"Production and Reproduction" in Judy Malloy, ed., Women, Art and Technology (Cambridge: The MIT Press/Leonardo), 2003.
“Cybernetic Social Space” in M. Fernandez, F. Wilding, M.M. Wright, eds., Domain Errors!: Cyberfeminist Practices (New York: Autonomedia), 2003.
"Perceptions of Self in Art and Intelligent Agents" in K. Dautenhahn, A. Bond, L. Cañamero, B. Edmonds eds., Socially Intelligent Agents: Creating relationships with computers and robots (Norwell, Mass: Kluwer Academic Publishers), 2002, pp. 235-242.
"Where Surfaces Meet: Interviews with Stuart Kauffman, Claus Emmeche and Arantza Etxeberria" in Leonardo, Vol. 34, No. 2, 2001, pp. 115-120.
"Gary Evans, Field Work" catalogue essay, Art Gallery of Mississauga, Toronto (reprint of 1998 pamphlet for Art Gallery of Woodstock exhibit), 2000.
"Nurturing the Artificial" in J.P. Gilbert, S. Gilbert, L. Johnstone, eds., So,to Speak (Montréal: Artextes Editions), 1999.
"As Art is Lifelike: Evolution, Art, and The Readymade" in Leonardo, Vol. 31, No. 5, 1998, pp. 397-404.
"Mysteries of the Bioapparatus" in M. A. Moser, ed., Immersed in Technology: Art, Culture and Virtual Environments (Cambridge: The MIT Press and The Banff Centre), 1996.
"Juan Geuer: Investigating Chaos," catalogue essay, Ottawa Art Gallery, 1993.
"Simorg Culture" in La Bestiaire/Endangered Species, Parachute 72, 1993.
"Of Monitors and Men and Other Unsolved Feminist Mysteries: Video Technology and the Feminine" (reprint) in Peggy Gale Lisa Steele, eds., Video re/View (Toronto: Art Metropole and V Tape), 1996; and in Simon Penny, ed., Critical Issues in Electronic Media (Buffalo: SUNY Press), 1995; originally published in Parallelogramme vol. 18, no. 3, part of The Video Issue/Propos Vidéo edited by Renee Baert, 1992.
Catherine Richards and Nell Tenhaaf, eds., Virtual Seminar on the Bioapparatus (Banff, AB: Banff Centre for the Arts), produced in context of the Bioapparatus residency and on-site seminar, 1991.
"Re-telling Pandora: Technology and Myth" in Art is Communications, A Space, Toronto, 1985.
"Defying the Death Machine", interview with Nancy Spero in collaboration with Nicole Jolicoeur, Parachute 39, 1985.
"The Trough of the Wave: Sexism and Feminism" in Vanguard, Sept., 1984.
"First International Festival of Women Artists", Copenhagen, report, Fuse, Vol. 4 no. 6, Nov., 1980.
"Powerhouse Gallery", Fuse, Vol. 3 no. 3, Feb./Mar., 1979.
