Reviews and catalogues
Janice Andreae, Legitimation review, Parachute 61, 1991.
Stephane Aquin, "Science et Realite", critique d'exposition, Voir mai 1993.
Stephane Aquin, "Le facteur realite", critique de In Vitro, Voir 21 mai 1992.
Stephane Aquin, critique d'exposition, Voir juillet 1995.
Daina Augaitis, exhibition catalogue for Siting Technology, Walter Phillips Gallery, The Banff Centre, 1988.
Rose Marie Arbour, Francine Couture, "Table ronde: questions a trois artistes sur la creation", Possibles vol. 9, no. 2 (hiver 1985).
Nancy Baele, "Rare white-gloves exhibition emphasizes one-on-one contact with art", review of De Causis et Tractatibus, Axe Neo 7 Art Contemporain, Hull, The Ottawa Citizen, April, 1994.
Nancy Baele, "National Gallery prints, drawings live up to exhibit's Odd Bodies title", The Ottawa Citizen, Dec. 1, 1996.
Renee Baert, exhibition review, C Magazine, Winter 1996.
Renee Baert, exhibition catalogue for Legitimation, Galerie Powerhouse, Montreal, 1989.
Renee Baert, radio interviews for Legitimation, CKUT Radio McGill (The Postmodern Commotion), Nov. 1989, and Radio Canada (Présence de l'art), Dec. 1989.
Bruce Barber, "Technophiles, Technophobes and Technocrats" in Fuse Fall 1984.
Catherine Bedard, "Une heraldique du malasie/A heraldry of malaise", catalogue essay for Le Benefice du Doute, Optica, Montreal et Centre d'Art Contemporain d'Herblay, France (Les Cahiers des Regards), 1994.
Judith Belanger, "Traits d'esprits", critique de Le Dessin Errant, Voir 19 mai 1988.
Serge Berard, critique d'exposition, Parachute Ete 1987.
Georges Bogardi, exhibition review, The Montreal Star March 21 1979.
Nancy Campbell, exhibition catalogue for Frankenstein: Explorations in Manipulation and Surrationality, Macdonald Stewart Art Centre, Guelph, Ontario, 1994.
Christine Conley, exhibition catalogue for Regeneration, Agnes Etherington Art Centre,Kingston, 1990.
Alan Conter, Montreal, interview for CBC Radio Ideas, "Click here for culture", the impact of technological change, Oct. 1999.
Alan Conter, Montr al, interview for CBC Radio Ideas, "Click here for culture", the impact of technological change, 1999.
Holland Cotter, review of Techno-seduction, The New York Times, Feb. 7, 1997.
Marie-Michele Cron, "Pouvoir Intime", critique d'exposition, Voir novembre 1989.
Nina Czegledy, "Mediated Realities in Biomedicine: (for) Consciousness Reframed," Newport UK, a collaborative CD-ROM on ethics in Biomedicine
Gilles Daigneault, critique de Actuelles I, Le Devoir 29 octobre 1983.
Gilles Daigneault, critique d'exposition, Le Devoir 7 fevrier 1987.
Gary Michael Dault, Gallery Going, The Globe and Mail April 17, 1999.
Jean Dumont, critique d'exposition, Le Devoir 23 mai 1992.
Anita Euteneier, "The Art of Science and the Science of Art", Ottawa Express, Feb, 2004.
Scott Ellis, Beyond Electronics review, Border Crossings Spring 1989.
Cliff Eyland, ANNPAC Conference exhibition review, Vanguard Fall 1984.
Nathalie-Roze Fischer, "Duo dreaming of bodies in a high-tech bind", exhibition review, Now Nov. 28, 1996.
Donald Goodes, "Taking up space", exhibition review, Hour May 13 1993.
Reesa Greenberg, "Nell Tenhaaf/Nicole Jolicoeur", exhibition review, Vanguard vol. 14, no. 7,Sept. 1985.
Reesa Greenberg, "Sacred Cows", exhibition review, C Magazine Summer 1987.
Mona Hakim, "Le redoutable monde des apparences", critique de l'exposition Le benefice du doute, Le Devoir 7 novembre 1993.
Deirdre Hanna, "Celebrity tools and toys" in Now, Dec. 4, 1997.
Hans-Michael Herzog, exhibition catalogue for The Body/Le Corps, Kunsthalle Bielefeld/Edition Stemmle, 1994.
Andre Jodoin, Art is Communications exhibition review, Vanguard Feb/Mar. 1986.
Johanne Lamoureux, exhibition catalogue for horror autotoxicus, Western Front Gallery, Vancouver, 1991.
Bernard Lamarche, "La science suivie a la trace", Le Devoir, July 17, 2004.
Johanne Lamoureux, "French Kiss from a No Man's Land", in Arts Magazine Feb. 1991.
Caroline Langill, exhibition review of Fit/Unfit, Canadian Art, Winter, 2003.
Caroline Langill, "Shifting Polarities: Interview with Nell Tenhaaf", video interview, 2006. www.fondation-langlois.org/html/e/page.php?NumPage=1931
Henry Lehmann, "Futility of Life", The Gazette, July 24, 2004.
Jocelyne Lepage, "Que sont les "Cent jours" devenus?", La Presse 15 August 1992.
David Liss, exhibition review, "Photocopy Art: Who Were the Pioneers?", ArtFocus Magazine, Jan. 1996.
David Liss, exhibition review, Montreal Gazette, August 19, 1995.
Rafael Lozano-Hemmer, "Perverting Technological Correctness" in Leonardo Vol. 29, No. 1, 1996.
Donna Lypchuk, "Talkin' 'bout de-generation", exhibition review, Metropolis Toronto, March 8, 1990.
John Bentley Mays, "Powerhouse supplies juice to women in art", The Globe and Mail Sept. 14 1981.
Earl Miller, exhibition review of Fit/Unfit, para-para (Parachute) 013, I-II-III, 2003.
Earl Miller, "Myths from Cyberspace", exhibition review, Parachute 87, 1997.
Earl Miller, radio review of A.C.T. exhibition for Art on Air, CKLN FM Toronto, Sept. 10, 1987.
Claude Mongrain, catalogue d'exposition, Le Dessin Errant, Dalhousie University Art Gallery, Halifax, Feb. 1988.
Helga Pakasaar, "Technology Cheated my Image Symposium," Windsor Review, Vol. 31 No. 1, Spring 1998.
Sylvie Parent, review of Neonudism for Le Magazine electronique du CIAC, June 1999.
Mireille Perron, exhibition review of Legitimation in C Magazine Spring 1991.
Louise Poissant, catalogue d'exposition, Machinations, Galerie Christiane Chassay, publie par la Societe d'esthetique du Quebec, Montreal, 1989.
Melanie Reinblatt, exhibition review, Montreal Mirror Feb. 5 1987.
Suzanne Richard, "Gerer l'ingerable", Voir, 25 au 31 mars, 2004.
Robert Rindler, catalogue essay for Techno-seduction, The Cooper Union for the Advancement of Science & Art, Jan/Feb 1997.
Hilary Robinson, "Politicised pleasure, pleasurable politics: Other Frontiers", exhibition review in alba (Edinburgh, Scotland), vol. 1, no. 5, Oct/Nov. 1991.
Christine Ross, "Au-dela et par la diversite", catalogue d'exposition, Actuelles 1, parranee par Air Canada, Montreal, 1983.
Harry Rudolfs, "Dust bunnies and In Vitro show at Glendon Gallery," exhibition review, Excalibur, Jan. 26, 1994.
Therese Saint-Gelais, "Remarques sur l'art feminin et l'art feministe", catalogue d'exposition Art et feminisme, Musée d'art contemporain, Montreal, 1982.
Gaston St-Pierre, catalogue d'exposition, Vues d'ensemble, Centre International d'art contemporain de Montreal, 1992.
Kim Sawchuk, reprint of 1994 Parachute article in Fit/Unfit, The Robert McLaughlin Gallery, Oshawa, 2003.
Kim Sawchuk, "Artificial Life and Lo-Fi Embodiment: A Conversation with Nell Tenhaaf and Melanie Baljko", Atlantis 32.2, 2008, pp. 6-17.
Kim Sawchuk, "Biological Not Determinist: Nell Tenhaaf's Technological Mutations", essay in Parachute 75, July, August, September 1994.
Susan Schwartz, "Women artists celebrate room of their own", The Gazette April 15 1983.
Kitty Scott, exhibition catalogue for Other Frontiers, curated by Katherine Wood, Third Eye Centre, Glasgow, 1991.
Johanne Sloan, In Vitro exhibition review, Parachute Fall 1992.
Johanne Sloan, catalogue essay for Blair Robins/Nell Tenhaaf, Glendon Gallery, Toronto, 1994.
Carlos Soldevila, feature in Voir, Montréal, January, 1999.
Kate Taylor, review of Species Life, The Globe and Mail Mar. 22 1991.
Nancy Ungar, "Monsters of the Intellect at Rockville Arts Place," Promises of Monsters exhibition review, Montgomery Gazette, Feb. 14, 1997.
R.M. Vaughan, review of Flo'nGlo in Images Festival, the Big Picture, National Post, April 23, 2005.
Jane Young, "Picturing Language", Gramatica exhibition review, Vanguard Sept. 1988.